AYANA V JACKSON
AMERICAN CONTEMPORARY ARTIST
Faced with early critics of the Black Madonna Tabloid series where I was told I just “look like the nanny”, Maria de Latte [M]atron Saint to Nannies and Wet Nurses was a natural progression. It considers the association of the Black/Brown woman’s body with domestic servitude (especially in a South African context where this work was produced). By comparing the Virgin Mary - the first “surrogate mother” if you will- to the domestic worker, I attempt to shift her position and elevate her from disposable to Divine.
Installation View
Gallery MOMO, Johannesburg, RSA 2011
Maria di Latte II (Triptych), 2011
Archival pigment print 60 x 86 cm
Maria di Latte I (Triptych), 2011
Archival pigment print 60 x 86 cm
Installation View
Gallery MOMO, Johannesburg, RSA 2011
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